Birdman

Finally got round to seeing Birdman tonight. Really really enjoyed it, a great story with brilliant characters you cared about (or were interested in getting to know more) and all told in such a seamless style, with hidden cuts and steadicam making it flow like theatre. (Which I think was the intention). It carries you through at a constant steady pace and does bring this documentary feel to it. Sounds like it was fun to make with this style of long takes and free flowing steadicam weaving its way around the theatre and other locations:

Andrea Riseborough, meanwhile, described the process as "wonderful", mentioning how it was possible to hear the filming of a sequence from far away before the camera arrived and then "the magic happens with you, and then everything leaves you, and everything's silent."
Via Wikipedia

The music was brilliant too, I've seen Whiplash already, and it did remind me of that - which I guess is a shame in some small way as it paints it with that brush. But the effect was brilliant, really kept you on edge and kept this constant pace going on and on, driving you through each scene and never really knowing what the hell was going to happen next.

When I left the cinema at night (Odeon Covent Garden), it was like walking out in a scene from the film, so I put the soundtrack on my phone and wandered through a bustling Soho with drizzle in the night sky. Walking past the various theatre's, with those drums pounding was cool - it's the big kid in me, but it was quite a buzz. Ha!

Ultimately there was a really interesting point I took away from the film, that feeling of wanting to leave an impression, or dare I say a legacy or doing something that feels important in this short time we have. His need to create something meaningful to make amends for how he lived his life was mirrored with his daughter showing him how humans have spent so little time on earth with tissue paper (which he went on to wipe his nose with!). This quote sums up the absurdity of it all though:

Riggan: The last time I flew here from LA, George Clooney was sitting two seats in front of me. With those cuff links, and that... ridiculous chin. We ended up flying through this really bad storm. The plane started to rattle and shake, and everyone on board was crying, and praying. And I just sat there. Sat there thinking that when Sam opened that paper it was going to be Clooney's face on the front page. Not mine. Did you know that Farrah Fawcett died on the same day as Michael Jackson?
Via IMDB

It also had some really striking posters created for the marketing of the film.

Watching Aliens with a bunch of 11 year-old boys

Just read this great post on RogerEbert.com, by Matt Zoller Seitz, detailing how he decided to show Aliens to his 11 year old son and his group of friends. It's a great post, full of funny details about watching a film with a group of kids. I loved how he said he couldn't get them to stop predicting what was going to happen next, and that they are part of a 'generation of talkers'. 

"This movie has so many cliches in it," a boy said when Colonial Marines disembarked the drop ship and made their way through rainy darkness to enter the alien-infested colony. My son told him, "This movie was made in 1986. It invented all the cliches."

That concept of seeing something that either kick started a franchise or a style of filmmaking, after you've seen all the crap that followed, it something quite powerful. Often it's absolutely refreshing to bask in the quality and originality of what came first. It's like discovering a time capsule, looking at something that is untouched with what followed it. It's like it carries some sort of innocence around its own existence, and it doesn't know what you know. Quite a strange feeling. 

Of course, writing on a public blog and stating you showed a classic sci-fi/action/horror film to a group of kids, who are obviously under the recommended age to watch it, has led to quite a bit of blowback from commenters calling him irresponsible, a bad father etc. Which is understandable, although I feel that watching a film like that with a group of friends and your Dad, is a great way to overcome what could be far scarier if watching alone. There was a great comment serving, I'm sure, as a nice antidote to Matt feeling like he was a bad father.

One other theme this post covers nicely is that feeling of not experiencing something for the first time ever again, which is something that does excite me as a father watching all these great films with my own son.

And as we watched, I realized again that while unfortunately you can't see a great movie again for the first time, the next-best thing is to show it to people who've never seen it.

Via Coudal

SXSW 2015 Gaming Awards - Opening Sequence

Loved this animation from Imaginary Forces, to kick off the SXSW 2015 Gaming Awards. It's made especially great, not least for the gorgeous execution of image and sound, but because you can feel the way the creators fully understand and love the subject they are making this film about.

You are so entranced and excited to see the visual nods and hear all the games you've played through your life, you instantly know 'they get me', you know that what's going to come next will be super relevant to you as they've just created something that speaks to you in such an authentic and relevant way. Sounds so simple doesn't it, but you can count on one hand the amount of times something speaks to you like that in a week/month/year.

I also like how it had some visual similarities to the title sequence of Halt & Catch Fire, (which is a brilliant show, if you haven't seen it yet.)

So good.

UPDATE 27/03/2015

Cute little making of too, from Imaginary Forces

The Steve Jobs You Didn't Know

Fast Company published an adaption from the upcoming book Becoming Steve Jobs: The Evolution of a Reckless Upstart Into a Revolutionary Leader by Brent Schlender and Rick Tetzeli. 

"Steve cared," Cook continues. "He cared deeply about things. Yes, he was very passionate about things, and he wanted things to be perfect. And that was what was great about him. A lot of people mistook that passion for arrogance. He wasn’t a saint. I’m not saying that. None of us are. But it’s emphatically untrue that he wasn’t a great human being, and that is totally not understood.

I can't wait to read this new book about Steve Jobs, it's just getting positive review after positive review. John Gruber at Daring Fireball gave a glowing review of the book after reading a pre-release copy.

The book is smart, accurate, informative, insightful, and at times, utterly heartbreaking. Schlender and Tetzeli paint a vivid picture of Jobs the man, and also clearly understand the industry in which he worked. They also got an astonishing amount of cooperation from the people who knew Jobs best: colleagues past and present from Apple and Pixar — particularly Tim Cook — and his widow, Laurene Powell Jobs.

It will certainly be refreshing to hear him portrayed as a three dimensional character and not just the ranting figurehead of Apple in the Isaacson book. 

Google Compare - Student becomes teacher

Creative Director - Robert Waddilove

A film we recently created with the Google Compare team , to kick off the launch of the product in the US, starting in California. We wanted to make an emotive film focusing on the benefits of the product, rather than a more prescriptive film listing the features. That's what the website is for, right? 

I love the relationship of the Grandfather and Granddaughter - such good performances, they feel so natural and real. The locations in LA gave a literal warmth to every shot and having an old Mustang (even if not a Bullitt era one) made for a film as much about Americana as it was about insurance. 

This was an approach I love to take with this type of branded content/ad, and there's been some great comments on the film on YouTube already, I hope it gets a bit of media spend behind it for a little more exposure.

Had a great time on the shoot - here's some Behind the Scenes shots I grabbed too

We also made a 45second shorter version, which focuses more on Grandpa's need to get insurance (over doing up the car).